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Start Over Subject museum

1. "Já chci staré věci zachovat a zařídím museum v domě..." : domovy Libuše Bráfové jako místa osobní a národní paměti

Creator:
Máša, Pavel
Format:
text/pdf
Type:
Article
Subject:
Libuše Bráfová, František Ladislav Rieger, František Palacký, museum, home, memory, Auxiliary Historical Sciences, and History
Language:
Czech
Description:
Libuše Bráfová, granddaughter of František Palacký and daughter of František Ladislav Rieger, decided to set up a museum in the house where her family had lived for several generations. In my paper I will focus on the following questions: What did the idea of home mean to Bráfová? Why did she decided to open her house to public? What were functions and purpose of the museum and why was setting it up so difficult? Besides, I will be interested in the functionig of the museum in the first years of its existence, the popularity of this institution among the Czech public and the experiences of visitors of the home of the most important Czech family in the 19th century.
Rights:
CC BY-NC-ND 4.0 International and unknown

2. Etika sbírkotvorné a prezentační činnosti muzea. Problematika spolupráce s komunitou a (eko)muzeum

Creator:
Douša, Pavel
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
museum, curator, ethics, ecomuseum, community centre, and ethnology
Language:
Czech
Description:
The article opens the basic issues of ethics in the case of collection-creating and presentation activity of museums. It defines the contemporary position of museums within the modern information society as a space for memory transformation. It points out the ethical dimension of curator’s work, whose presentation and interpretation results are connected with the institution more than elsewhere. The interpretation as well as the involvement of the public into this activity is a fundamentally ethical task of the museum as a memory institution. In this connection, the running discussion concerns the model of the community museum or “eco-museum” as an institution that is defined by its relation to the organism (the museum) and its environment (the society). This institution distinguishes itself by the ability to respond to or to adapt itself to the conditions and to create a wide network of social relations.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

4. Modely jako prostředek dokumentace lidové architektury na příkladu modelů z Národopisné výstavy ze sbírek Národního zemědělského muzea

Creator:
Novák, Pavel
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
models, vernacular architecture, documentation, museum, and presentation
Language:
Czech
Description:
Models of vernacular architecture are one of the best ways for the documentation of folk buildings. However, it is necessary to be aware of the fact that those models document the buildings visually, while their construction and material are documented only insufficiently. The research on the models showed that the models are made at more quality levels which differ in the fidelity of imitation of a constructional detail or material used. Even though the models will continue to be a suitable means to document vernacular architecture, it is necessary to replenish them with other documentation methods. The future of the models consists primarily in the presentation of folk buildings.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

5. The Museum on the Edge of Forever

Creator:
Walklate, Jennifer
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
věda, čas, science, time, muzeum, literální fenomenologie, geochronická epistemologie, museum, literary phenomenology, geochronic epistemology, 12, and 00
Language:
Czech
Description:
This article argues that understanding any space or site relies on a knowledge of its fourth dimension - the timescape. It will explore this by situating the investigation in the museum - a place of heightened contrivance which could easily be shallowly interpreted as "mere style". It will defend a new method of investigating museum temporality which combines both phenomenology and literary theory, and will replace the idea of geo-epistemology with geochronic epistemology: an understanding of context and situation which takes on time as well as spatial location. In so doing, it moves on from notions of the museum as a place out of time, situating it in the networks of meaning, power and politics in which we have lived and are living. Thus, "the whole space of the exhibition" as Lyotard said, "becomes the remains of all time": the Museum on the Edge of Forever., Tento článek pracuje s argumentem, že porozumění jakémukoliv prostoru či místu se odvíjí od znalosti jeho čtvrtého rozměru – krajiny času. Toto tvrzení probádává tak, že zasazuje výzkum do muzea – místa se zvýšenou mírou machinace, již by bylo snadno povrchně interpretovat jako "pouhý styl“. Článek obhajuje novou metodu zkoumání temporality muzea, jež v sobě kombinuje fenomenologii i literární teorii a nahrazuje myšlenku geoepistemologie geochronickou epistemologií: porozuměním kontextu a situaci, jež je umístěno jak v čase, tak v prostoru. Tím, že tak činí, se článek posunuje od pojetí muzea jakožto místa mimo čas a zasazuje jej do sítí významů, moci a politiky, v nichž jsme žili a stále žijeme. Takto se "veškerý prostor výstavy“, jak poznamenal Lyotard, "stává pozůstatkem všeho času: muzeem na okraji věčnosti., and Jennifer Walklate.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public