The article is devoted to two images with the theme of Law and Grace, which are associated with the name of Lucas Cranach the Elder (both in the National Gallery in Prague). The first is dated to 1529 and does not have the original format, which plays a fundamental role for the interpretation of the iconography, because in the past there was a secondary reduction of the image, during which a band with biblical citations was removed. Other passages from the Bible were placed also on the surface of the image, but these were removed as nonoriginal during a restoration in 1971-1972. According to the literature so far, the panel of Law and Grace conveys one of the bases of Luther’s teaching on justification through faith. This was called into question by Matthias Weniger, according to whom the concept of the work is drawn from Erasmianism; he demonstrated his observations i.a. on the biblical citations in Cranach’s original. The inscriptions from the image were removed, so Weniger was working with inscription preserved on a copy of this composition. It is, however, not possible to consider it as such a trustworthy source for us to amend the so-far accepted interpretation of Cranach’s original from 1529. and Olga Kotková.
Zpráva Lukáše Michaela Vytlačila pojednává o muzikologickém semináři vědeckého týmu Musica Rudolphina k hudbě v době císaře Rudolfa II., který se uskutečnil v pražské Nadaci pro dějiny kultury ve střední Evropě dne 31. května 2015., Lukáš M. Vytlačil., Rubrika: Konference, and Cizojazyčné resumé není.
Mikuláš Štraus is mainly known as a publisher of newspapers and leaflets after the Battle of White Mountain. The article builds on the analysis of the decorative material used by his printing workshop and provides some new conclusions concerning the illustrations of four books published by Štraus: a German translation of Hájek’s Kronika česká [Bohemian Chronicle], Barthold’s hymn-book Hymnorum sacrorum, Luython’s mass-book Liber I. missarum and the verse adaptation of an Old German legend published under the title Sumovní kronika. It identifies some illustrations as the work of the remarkable illustrator Jan Willenberg and thus indicates the wide range of motifs used by this hitherto undervalued artist., Jana Tvrzníková., Obsahuje anglické resumé., and Obsahuje bibliografické odkazy
The creation of the Portuguese overseas empire began after 1415 in the Atlantic area and gradually transformed itself into a multi-continental phenomenon. Around 1500, there was a period of particular expansion into Asia and Morocco, with a further consolidation of their position in Africa and Brazi. Although the king had tried to isolate the state from contemporary European events and had been engaged exclusively in activities on the world stage, the rather small and sparsely populated country began to run out of steam. The result was the enforced renunciation of her interests in North Africa (1542-1550), which had previously attracted more of the Crown's interest that the Orient. However, thereafter, the privileged position of the East in the Portuguese empire was never questioned, at least not at the ideological level., Karel Staněk., and Obsahuje bibliografii