The main aim of this paper is to propose an adequate interpretation of the concept esse apparens (apparent being) which was used by Franciscan philosopher and theologian Peter Auriol (c. 1280-1322), especially focusing on his account of sensory perception. Drawing on an analysis of the relevant passages of the commentary on the Sentences by Auriol, first, I introduce his famous account of sensory illusions, and then his own claims about the nature of esse appparens (Auriol refuses to treat it either as a separate entity serving as a mediator of perception, or as only an extrinsic denomination of the perceived object). In the next part, I reject the interpretation which identifies esse apparens with mental representation. In my opinion, it is more appropriate to place this concept into the context of scholastic doctrine of objectiver or intentional being (popularized mainly by Duns Scotus and his disciples). At the end of the paper, I return to Auriol's account of illusions and show that it is compatible with esse apparens being understood as mode of being., Lukáš Lička., and Obsahuje poznámky a bibliografii
According to the Oxford English Dictonary George Berkeley introduced the term a priori into English. His inspiration for this was, it seems, to be found partly in the writings of his immediate predecessors, particularly Pierre Bayle, and partly in his pedagogical work where he adjudicated disputations between his pupils. Some of his arguments against the existence of matter Berkeley tells us are a priori, others a posteriori. Even the a priori arguments are underpinned by prior semantic principles of an anti-abstractionist character, which are shown to be important particularly in the immaterialist philosophy of mathematics. Berkeley's courageously unorthodox, and generally unpublished, thoughts about mathematics thus grow from the same soil as his celebrated denial of matter., Marek Tomeček., and Obsahuje poznámky a bibliografii
Audiovisual archives with an advanced communication infrastructure are a rapidly developing tool whose unique potential in the realm of education has not been sufficiently explored yet. Archive system technologies already incorporate numerous collaborative functions. This paper aims to present quantitative and qualitative results of a research project undertaken at the Film and TV School at the Academy of Performing Arts. Through several focus groups - users of new media-oriented web portal Konvergence.info, professionals working with audiovisual archives and students of FAMU, usage of audiovisual material in the particular groups was examined. The research was based on selecting the best tools for scientific collaboration in terms of audiovisual content and in researching the utilisation of their certain groups, such as functions for annotating audiovisual content and personal knowledge organisation. These days the cooperation between education and research does not rest in transfer of completed knowledge but in the capability of their sharing in the process of their formation which enables a dialogue and translation between the various specializations. This leads to new knowledge and a more effective solution of problems. The objective thus was to find such a combination of technologies and a working methodology that would facilitate unique talent and interests as well as strengthen the sense of cooperation and communication in a heterogeneous collective. and Michal Klodner, Lucia Udvardyová.
Cílem Rortyho článku „Analytická a konverzační filosofie“ je nahrazení distinkce mezi analytickou a kontinentální filosofií rozlišením mezi filosofií analytickou a filosofií konverzační. Tím dojde při nahlížení rozdílu mezi oběma typy filosofie k odstranění geografického hlediska, které, ač samo o sobě poskytuje určitou možnost rozlišit jednotlivé typy filosofů, není dle Rortyho ve skutečnosti určující. Tento rozdíl spočívá především v odlišném náhledu filosofie na sebe samotnou, na smysl a cíle své práce. Spočívá v odpovědi na otázku, zda filosofie může něco poznávat takové, jaké to doopravdy je, či nikoli a zda se může vydat po cestě vědy, či by měla naopak vnímat sebe sama spíše jako konverzaci a rozvíjení kulturního uvažování., The aim of Rorty’s article Analytic and conversational philosophy is to replace the distinction between analytic and continental philosophy with a distinction between analytic and conversational philosophy. This is achieved through a perception of the difference between the two types of philosophy that rejects the geographical viewpoint which, though it may provide a certain possibility of distinguishing the specific types of philosophy, is not in Rorty’s view really decisive. The difference consists above all in the distinctive view of philosophy of itself, and of the sense and aim of its endeavour. It consists in the response to the question of whether philosophy can or cannot know something as it really is; whether it can follow the path of science; or whether it should rather perceive itself as a conversation and an opening up of cultural reflection., and Richard Rorty.
Podle tradice přenesl geometrii do Řecka Thalés z Mílétu. Ačkoli v diskusích o povaze Thalétovy geometrie nepanuje konsensus, zdá se, že zformulované teorémy byly až dodatečně uplatněny na jeho konkrétní měření. Již o Thalétově „žákovi a nástupci“, Anaximandrovi z Mílétu, však nemáme žádné zprávy, které by se týkaly geometrie. Výjimku představuje lexikon Súda, který uvádí, že Anaximandros „vůbec ukázal základy geometrie“. Lexikon zároveň vyjmenovává momenty, v nichž může být užití geometrie spatřeno. V prvé řadě se jedná o gnómón, s jehož pomocí mohla být realizována řada měření. Zřejmé znaky uplatnění geometrie vykazuje též celá Anaximandrova koncepce kosmologie: tvar Země a její umístění ve středu univerza, i samotný popis nebeských těles. Podobně lze uplatnění geometrie spatřovat za mapou světa a sférou. Ačkoli tedy Anaximandros není explicitně s geometrií spojován, dochované texty ukazují, že její poznatky významně využil, když propojil konkrétní pozorování s geometrickým uspořádáním celého univerza., According to tradition Thales brought geometry to Greece from Miletus. Although discussion of the nature of Thales’ geometry has not arrived at a consensus, it seems that the theorems formulated were retrospectively applied in his concrete measurements. So far, however, we have no information about the geometry of Thales’ pupil and successor, Anaximander of Miletus. An exception is presented in the lexicon Suda which claims that Anaximander “in general showed the basics of geometry”. This lexicon at the same time states the points at which the employment of the geometry can be discerned. Most importantly, we have the question of the gnomon, with the help of which an order of measurement is realisable. Clear signs of the application of geometry are likewise shown by Anaximander’s whole conception of cosmology: the shape of the earth and its position at the centre of the universe, and the very description of the heavenly bodies. In addition one can discern geometry involved in the map of the world and the sphere. Thus, although Anaximander is not explicitly connected with geometry, extant texts demonstrate that he significantly exploited geometrical knowledge when he connected concrete observation with the geometrical organisation of the universe as a whole., and Radim Kočandrle.