The main aim of this paper is to propose an adequate interpretation of the concept esse apparens (apparent being) which was used by Franciscan philosopher and theologian Peter Auriol (c. 1280-1322), especially focusing on his account of sensory perception. Drawing on an analysis of the relevant passages of the commentary on the Sentences by Auriol, first, I introduce his famous account of sensory illusions, and then his own claims about the nature of esse appparens (Auriol refuses to treat it either as a separate entity serving as a mediator of perception, or as only an extrinsic denomination of the perceived object). In the next part, I reject the interpretation which identifies esse apparens with mental representation. In my opinion, it is more appropriate to place this concept into the context of scholastic doctrine of objectiver or intentional being (popularized mainly by Duns Scotus and his disciples). At the end of the paper, I return to Auriol's account of illusions and show that it is compatible with esse apparens being understood as mode of being., Lukáš Lička., and Obsahuje poznámky a bibliografii
Suicide in the Habsburg monarchy in the Early Modern Age has hitherto received almost no attention. This text considers attitudes to suicide in the context of questions of sin, conscience and individualization. It traces the changing perceptions of the meaning of these phenomena through theological and moral-philosophical texts, and does so on four levels: (1) suicide as a theme (or non- theme) in 17th and 18th century theology and homiletics; (2) suicide in the reformist theology of the late 18th century; (3) the question of penance; (4) the "good death" and individual responsibility for the salvation of the soul. The author shows that in the last three decades of the 18th century, when more notice began to be paid to the phenomenon of suicide, discourse on the subject assumed a more psychological tone, with theologians and philosophers increasingly drawing attention to the harm done by certain religious and meditative techniques which in their view overexcited the imagination and could result in melancholy and despair. This shift might well be called the secularization of the discourse on suicide., Tomáš Malý., and Obsahuje bibliografické odkazy