Studie Milady Jonášové se zabývá využitím jmenované kantáty italského hudebního skladatele Benedetta Marcella operním impresáriem Antoniem Denziem v pasticciu "Sansone", provedeným v roce 1729 na scéně pražského divadla v paláci hraběte Františka Antonína Sporcka., Milada Jonášová., Rubrika: Studie, and České resumé na s. 51, anglický abstrakt na s. 5.
The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
Studie Evy Myslivcové se zabývá korespondencí mezi hudebním skladatelem Antonínem Dvořákem a jeho blízkým přítelem Aloisem Göblem., This article introduces newly found photocopies of two letters from Antonín Dvořák to Alois Göbl with heretofore unknown and unpublished contents (newly discovered facts about Dvořák’s life and about period reception of his masterpieces – e.g. the Symphony No. 9 in E Minor “From the New World”, op. 95, and the Cello Concerto in B Minor, op. 104) and places them within the context of Dvořák’s correspondence addressed to his friend Göbl in Sychrov that has already been published in several different editions., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 299, anglický abstrakt na s. 289.
Sebrané drobné příběhy a epizody ze života Antonína Dvořáka, jak se uchovaly ve vzpomínkách konkrétních pamětníků, nebo jako anonymní anekdoty., Zvláštní otisk z krajinského listu "Chrudimský kraj", roč. 24, č. 10, 11 a 12., and Hudební osobnosti.
Studie Heleny Matějčkové se zabývá obchodními kontakty mezi hudebním skladatelem Antonínem Dvořákem a londýnským nakladatelem Augener & Co., In the course of research focusing on the history of publication of the works of A. Dvořák, printed editions have been discovered for five works that were issued in 1885 and 1886 by the London publishing house Augener & Co. The literature and sources concerning the life and work of A. Dvořák, however, make no mention of this publisher or of its editions of Dvořák’s music. The study maps the history and activity of the publishing house, devoting the greatest attention to describing the new sources and to consideration of the possible circumstances of their publication – Augener’s editions of Dvořák’s compositions appear to have been prepared on the basis of already issued printings by the Prague publisher F. A. Urbánek – and of aspects of publishing practice at the time, especially with regard to copyright issues., Helena Matějčková., Rubrika: Studie, and Anglické resumé na s. 265, anglický abstrakt 247.
Obsahuje bibliografické odkazy., Ostatní autoři viz poznámky pod čarou., and Cechia. Cong hoa Séc. Cseh Köztársaság. Csehország. Czech Republic. Czechy. Česká republika. Česká socialistická republika. České země. Česko. ČR. ČSR. Chequia. République tcheque. Tjeckien. Tschechien. Tschechische Republik. Tšekin tasavalta. Tšekki. Země české.
The two hundred and twenty-fifth anniversary of the Don Giovanni premiere, in 1787, and the one hundred and seventy-fifth anniversary of the foundation, in 1837, of Pragues Mozart Denkmal, the first ever Mozart Memorial Collection, housed from then until now in Pragues Klementinum, offer the opportunity to take a look at Mozarts standing in the early 19th century in Bohemia through the eyes of press and writing on music of the time (August Wilhelm Ambros, Wenzel Johann Tomaschek, Joseph Proksch, Ed. Murelli), as well as period arrangements of his works and the ways of their interpretation., Michaela Freemanová., Obsahuje seznam literatury, and České resumé na s. 102.