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2. Antonín Rejcha: Hudba jako ryze citové umění: z francouzských originálů vybral, přeložil a poznámkami opatřil Roman Dykast
- Creator:
- Bartoň, Kamil
- Format:
- print, bez média, and svazek
- Type:
- article, recenze, recensions, model:article, and TEXT
- Subject:
- Rejcha, Antonín, 1770-1836, Dykast, Roman, 1962-, filozofie hudby, hudební teorie, muzikologie, music theory, musicology, philosophy of music, 78.01, 781, and (0:82-95)
- Language:
- Czech
- Description:
- Kamil Bartoň., Rubrika: Recenze, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
3. Július Fujak: Emanácie hudobnej semiosféry
- Creator:
- Jarmila Doubravová
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Fujak, Július, 1966-, hudební teorie, music theory, hudební sémiotika, musical semiotics, 781, 781.21, and (0:82-95)
- Language:
- Czech
- Description:
- Jarmila Doubravová., Rubrika: Recenze, and Cizojazyčné resumé není.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
4. Listening for Stockhausen
- Creator:
- Marcus Zagorski
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Stockhausen, Karlheinz, 1928-2007, hudební díla, musical works, poslech hudby, music listening, hudební teorie, music theory, 78.08, 78.01, 781, and (048.8)
- Language:
- Czech
- Description:
- Studie Marcuse Zagorskiho je věnována dílu hudebního skladatele Karlheinze Stockhausena. Autor se však na něj zaměřuje z netradičního pohledu, protože zkoumá problematiku a způsob poslechu Stockhausenovy hudby., Karlheinz Stockhausen’s theory of listening reflected essential tenets of his creative practice and aesthetic inclinations. He outlined an admirably tolerant and accepting approach to listening and encouraged different listeners to generate different formal models to describe the same music. His method of listening thereby challenged the perceptual reconstruction of known, pre-existing forms that was so important to listening in the preceding 150 years, and this complemented his compositional challenge to another established aesthetic category – that of the closed musical work. By revealing this aesthetic background, this article shows the significance of Stockhausen’s thinking about listening., Marcus Zagorski., Rubrika: Studie, and České resumé na s. 201, anglický abstrakt na s. 193.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private
5. Ohlasy filozofie Georga Wilhelma Friedricha Hegela v hudebněteoretickém díle Moritze Hauptmana
- Creator:
- Eva Myslivcová
- Format:
- print, bez média, and svazek
- Type:
- article, články, model:article, and TEXT
- Subject:
- Hauptmann, Moritz, 1792-1868, Hegel, Georg Wilhelm Friedrich, 1770-1831, 19. století, muzikologie, musicology, hudební teorie, music theory, filozofie, philosophy, filozofie hudby, philosophy of music, 78.01, 781, 101, and (046)
- Language:
- Czech
- Description:
- Studie Evy Myslivcové se zabývá vlivem názorů filozofa a estetika Georga Wilhelma Friedricha Heugela v hudebně-teoretickém díle Moritze Hauptmanna "Die Natur der Harmonik und der Metrik" z roku 1853., Eva Myslivcová., Rubrika: Studie, and Německé resumé na s. 229, anglický abstrakt na s. 221.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
6. Polystylovost a koláž v české hudbě 2. poloviny 20. století: (teorie, publicistika a recepce skladatelské tvorby v letech 1960-2000)
- Creator:
- Škarda, Robert
- Format:
- print, bez média, and svazek
- Type:
- article, studie, studies, model:article, and TEXT
- Subject:
- 1951-2000, hudební kompozice, hudební publicistika, hudební styly, hudební teorie, muzikologie, recepce hudby, composition (music), music journalism, music styles, music theory, musicology, reception of music, Česko, Czechia, 78.01, |78.03, 78.02, 781, 78:070.4, 78.073, and (048.8)
- Language:
- Czech
- Description:
- Studie Roberta Škardy se zabývá tvorbou českých skladatelů, využívajících ve svých kompozicích polystylovost a koláž, stejně jako teoretickými aspekty takového typu děl a jejich reflexí v odborných časopisech., The topic of this study is the music of Czech composers based mainly on the juxtaposition of styles, stylizations of historical or jazz music, and the use of quotations in the years between 1960 and 2000. It deals with reconstruction of the meanings of the period musical terms polystylism and collage, and it maps out the use of these terms in the reception of this music at the time and in the compositional theory and practice of Czech musical culture during that forty-year period. The main sources for the analysis of terms were reviews, articles, and scholarly studies in music journals along with the contemporary statements of the composers themselves at the time and at the present. In that context, the study follows the leading representatives from among composers and critics, derives the meanings of the terms polystylism and collage, and places them in the context of Czech music of that period. As an example of a specific composition reflected upon in the context of polystylism and collage and exhibiting a number of elements typical of this compositional orientation, the study contains an analysis of the composition Útěk (The Flight) written by Arnošt Parsch in 1973., Robert Škarda., Rubrika: Studie, and Anglické resumé na s. 199, anglický abstrakt 169.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public