The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
Obsahuje bibliografické odkazy., Ostatní autoři viz poznámky pod čarou., and Cechia. Cong hoa Séc. Cseh Köztársaság. Csehország. Czech Republic. Czechy. Česká republika. Česká socialistická republika. České země. Česko. ČR. ČSR. Chequia. République tcheque. Tjeckien. Tschechien. Tschechische Republik. Tšekin tasavalta. Tšekki. Země české.
Studie Markéty Kratochvílové je věnována osobnosti hudebního skladatele a dirigenta Otakara Ostrčila, avšak zaměřuje se na jeho ediční činnost. Autorka se zde věnuje Ostrčilově participaci na kritickém vydávání děl Bedřicha Smetany, kterýžto projekt realizoval Zdeněk Nejedlý ve 20. a 30. letech 20. století. Prodanou nevěstou se Ostrčil zabýval od roku 1924 až do své smrti v roce 1935 a edicí se zabýval nejen jako standardní editor, ovšem velmi podrobně se vyjadřoval i k podobě hudební sazby a dalším parametrům edice., The present study familiarises the reader with the activity of the composer and conductor Otakar Ostrčil as a music editor and in particular his work on the critical edition of Bedřich Smetana’s opera Prodaná nevěsta (The Bartered Bride), which was realised as part of the first attempt at publishing a complete works edition of Smetana’s music between 1924 and 1936 under the leadership of Zdeněk Nejedlý. The study is based on correspondence exchanged between Ostrčil and Nejedlý and is placed in the context of efforts to publish Smetana’s works during the first decades of the twentieth century as well as the context of Ostrčil’s life and works., Markéta Kratochvílová., Rubrika: Studie, and České resumé na s. 179-180, anglický abstrakt na s. 169.