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52. Římský stát a katolická církev ve IV. století
- Creator:
- Češka, Josef
- Publisher:
- Univerzita J.E. Purkyně
- Format:
- text/pdf
- Type:
- Book
- Subject:
- Classical Studies, katolické církve -- Starověký Řím -- 4. stol., stát a církev -- Starověký Řím -- 4. stol., křesťanství a politika -- Starověký Řím -- 4. stol., křesťanství a společnost -- Starověký Řím -- 4. stol., and církevní dějiny -- Starověký Řím -- 4. stol.
- Language:
- Czech
- Rights:
- unknown and open access
53. Sborník prací Filozofické fakulty brněnské univerzity. N, Řada klasická
- Publisher:
- Masarykova univerzita, Filozofická fakulta, Brno
- Subject:
- Classical Studies
- Language:
- English, French, German, Italian, Latin, and Czech
- Description:
- Řada klasická (řada N) Sborníku prací filozofické fakulty brněnské univerzity, ISSN 1211-6335, byla vydávána v letech 1996-2008, zároveň také s názvem Graeco-Latina Brunensia. Navázala na řadu E, argeologicko-klasickou. Uveřejňovala příspěvky z klasické filologie, klasické archeologie, dějin starověku, medievistiky a také byzantologie i pozdějšího vývoje řeckého a latinského jazyka. Od roku 2009 pokračuje jako vědecký časopis Graeco-Latina Brunensia, ISSN 1803-7402. ,Series classica (N) of Sborník prací filozofické fakulty brněnské univerzity (= Studia minora facultatis philosophicae universitatis Brunensis) with parallel title Graeco-Latina Brunensia, ISSN 1211-6335, was published in 1996-2008. Before that, Series archeologico-classica (E) was published from 1956 to 1995. Series classica included contributions from the fields of Classical Philology, Classical Archaeology, Ancient History, Medieval Studies, as well as Byzantine Studies and later development of the Greek and Latin language. Since 2009 continues as scholarly journal Graeco-Latina Brunensia, ISSN 1803-7402, and is issued twice a year.
- Rights:
- unknown
54. Studia Mycenaea : proceedings of the Mycenaean symposium, Brno, april 1966
- Publisher:
- Universita J.E. Purkyně
- Format:
- text/pdf
- Type:
- Proceedings
- Subject:
- Classical Studies, klasická filologie, řecká antická literatura, mykénská řečtina, stará řečtina, vývoj jazyka, dialekty, and Mykény (Řecko) -- dějiny
- Language:
- English
- Rights:
- unknown and open access
55. Synodalpredigt von Jan Hus Diliges Dominum Deum
- Creator:
- Lukšová, Zuzana
- Format:
- text/pdf
- Type:
- Article
- Subject:
- synodical sermon, Jan Hus, John Wyclif, medieval preaching, and Classical Studies
- Language:
- German
- Description:
- The sermon with central theme Diliges Dominum Deum was preached by Jan Hus as his first synodical sermon at the synod of Prague Archdiocese on the feast of st. Lucas at the 19th of October 1405. This text, written in form of thematic preaching, is concerned with usual problems of the Church at that time, especially with sins of adultery and simony. The value of the sermon lies in an opening part, in which Jan Hus described his ecclesiological meanings based on the opinions of John Wycliff. This occurence of Wycliffe's ecclesiology is one of the earliest evidences of his influence over Jan Hus' concept of the Church. The aim of this paper is to introduce the sermon Diliges and the context, in which was preached. Attention will be paid not only to content, but also to form of the sermon.
- Rights:
- unknown
56. Syntax latinských vedlejších vět
- Creator:
- Mikulová, Jana
- Publisher:
- Masarykova univerzita
- Format:
- text/pdf
- Type:
- Book
- Subject:
- Classical Studies, latina, syntax, and vedlejší věta
- Language:
- Czech and Latin
- Rights:
- CC BY-NC-ND 3.0 CZ and open access
57. Taking God seriously
- Creator:
- Senegačnik, Brane
- Format:
- text/pdf
- Type:
- Article
- Subject:
- Aeschylean character, gods, motivation, cognitivist approach, will, self-reflection, social self, tremendum, transcendency, religious sources of cognition, and Classical Studies
- Language:
- English
- Description:
- The aim of the article is to show some limitations of the cognitivist approach to the motivation of Aeschylean characters. Almost all extant Aeschylus' tragedies portray man's dependence on a transcendent reality represented by the gods, thus performing the "metatheatrical", cult framework of tragedy. Yet at the moment of making their fundamental decisions, many of Aeschylus' characters do not recognise the real power of the divine will, which can be explained by the fact that the authority of the gods is not perceivable (before the consequences of the decision take place, that is) through the "regular" cognitive apparatus used in physical and social reality. Man's dependence on the gods can be fully recognised only if his profound reflection on his circumstances includes a fundamental human self-reflection against a background of experiencing the divine tremendum. Although imposed by strong external pressure, the fundamental selfreflection and the resulting decision require at least some active involvement on the part of the character, so that they never take place without his participation (a character's reflection, or an exercise of the mind and will, is suggested also by the words used, e. g. A.219 - 221, φρενὸς δυσσεβη τροπαίαν, φρονειν μετέγνω; Supp. 407, βαθείας φροντίδος σωτηρίου). It is not possible to acquire a profound knowledge of the human situation unless one is willing to accept one's human limits and, in so doing, activate his religious sources of cognition.
- Rights:
- unknown
58. The coinage of king Areus i revisited: uses of the past in Spartan coins
- Creator:
- Pagkalos, Manolis E.
- Format:
- text/pdf
- Type:
- Article
- Subject:
- Hellenistic Sparta, Areus, Alexanders, Ptolemaic Dynasty, coinage, use of past, memory, and Classical Studies
- Language:
- English
- Description:
- For many years, scholars describe king Areus I as the monarch who followed the Hellenistic model of ruling. He was the only one of the two Spartan kings mentioned by name at the Chremonidean Decree and he issued Sparta's first silver coins, which bore inscription with his name. These changes are implemented in a period during which Sparta is nowhere near its former glorious self. I will argue that during the early Hellenistic period, an era of major political, cultural and social changes, the past is used as a prominent political instrument more than ever. As new structures of power and political organisation rise, the status quo of the city-states of Classical Greece is transformed. The past always occupied a specific role in the history of the polis throughout the Archaic and Classical periods as civic identity was authenticated by more or less exclusive local myths. However, now the past is urgently needed to be rewritten as it possesses the potential to reshape contemporary worldviews. Areus I initiatives brought Sparta again at the forefront of the Hellenistic world and were the result of the mentality of Hegemony built in Sparta through a long history of hegemonial presence both in Peloponnesos and Greece. This paper aims (a) to assess the use of the past during the reign of Areus I of Sparta (r. 309–265) and (b) to highlight the dynamics of the active manipulation of the past as political tool by evaluating the iconographic choices on the first example of Spartan silver coinage.
- Rights:
- unknown
59. The division of Lucilius' fragments, a personal opinion of the topic : satire in Lucilius' preserved fragmentary work
- Creator:
- Poláková, Mariana
- Format:
- text/pdf
- Type:
- Article
- Subject:
- C. Lucilius, roman verse satire, criticism, dividing of fragments, topics of criticism, and Classical Studies
- Language:
- English
- Description:
- Based on the reading of preserved fragments, the author deals with the question whether Lucilius wrote verses belonging to the genre of satire. According to the quantity of fragments (approximately 1,300) and the rare preservation of complete verses, the author suggests dividing the fragments into several groups. The author tried to find a literary criterion which takes into account the features typical of the genre of satire and is also understandable to contemporary readers. The presence of criticism has been chosen as such a criterion which, in the author's opinion, has been found along with satire from its beginnings to the present. It is one of the most typical features of satire. In the second part of the paper, the author presents a group of chosen satirical fragments which is divided according to the focus of the criticism.
- Rights:
- unknown
60. The functioning of epic in Satire I of Juvenal
- Creator:
- Franczyk, Agnieszka
- Format:
- text/pdf
- Type:
- Article
- Subject:
- epic allusions, satire, genre, recusatio, programmatic function, and Classical Studies
- Language:
- English
- Description:
- Since the beginning of the first satire, Juvenal has rejected the use of epic as being too exploitable and too inefficient to describe the monstrosity of the Roman vice. Yet the epic allusions crosses all satire. The paper deals with the idea that the functions of the epic elements in the first satire, often being erroneously restricted to a decorative (i.e. mocking) one, are in a stringent manner connected with Juvenal's choice of satire as genre. The paper shows how Juvenal transfers epic foundings on the ground of the satire and how he uses them to form his programmatic principles.
- Rights:
- unknown