This study deals with the relationship of Prince Joseph Adam von Schwarzenberg to music and theatre and with the way in which his theatrical preferences revealed themselves in the repertoire of his private castle theatre in Cesky Krumlov from 1766 until 1768. Through a careful study of the extant sources (correspondence, libretti, scores and parts, accounting books etc.), the author has managed to specify the reasons for the precipitous renovation of the castle theatre in late 1765 and early 66 and to determine what specific dramatic works were performed there. Among other things, she has succeeded in compiling the entire list of performances planned for the fourteen-day wedding celebration in the summer of 1768. The author furthermore focuses on information about the musicians who were then in the princes services and also about commissioned musical instruments and musical scores and parts., Helena Kazárová., Obsahuje seznam literatury, and Anglické resumé na s. 45.
The Church of St. Vitus in Česky Krumlov was built around 1400 and is rightfully considered one of the finest examples of beautiful architecture. The adaptations of the church, which originated in the Late Middle Ages, have been unjustly overlooked until today; they are not too extensive, yet the analysis of their morphology reveals that the sanctuary and the gallery rank among the best masonry work under the rule of the Rožmberks. Same as in other towns and estates, the construction work in Český Krumlov was financed particularly by the burghers and the gentry, with the contribution of priests who, due to their education, personal ties and authority, undoubtedly influenced the selection of projects and masters called to work at the construction site. In our case, this is validated by the names of donors, preserved testaments and references, formal morphology and occurrence of mason marks in the region as well as by the priests in Krumlov and the surrounding areas. and Roman Lavička.
Studie Martina Voříška je věnována hudebnímu životu na zámku v Českém Krumlově v roce 1780. Autor jej sleduje prostřednictvím neobvyklé události. 12. srpna 1780 totiž byla vykradena knížecí pokladna, z níž se ztratilo více než 950 zlatých. V té době ji měl na starosti kancelista a dvorní hudební ředitel Antonín Jan Jüngling. Aby se zbavil z podezření, že byl pachatelem tohoto činu, vytvořil detailní soupis své denní činnosti, díky níž tak zcela mimoděk vznikl unikátní dokument reflektující činnost schwarzenberské kapely v té době. Výňatky z tohoto dokumentu, jež se týkají hudby, jsou citovány v příloze., The article is based on a lengthy report by Anton Johann Jüngling on his own activities on 12 August 1780; Jüngling was at the time the Schwarzenbergs’ music director and also a highly placed official. This unique historical source affords a very detailed look at Jüngling’s daily life as a person and a professional, and in combination with other sources, it also enables the creating of a quite detailed picture of the musical events at the Schwarzenberg court over a period of just under two weeks, when the Schwarzenbergs were staying in Český Krumlov with their guests. The musical activities included theatrical performances, a ball, a private concert with repertoire consisting of orchestral arrangements of music from singspiels currently being performed (Die schöne Schusterin and Die abgeredte Zauberey), and accompaniment for worship services. The study documents that the musicians at the princely court were able to secure the music for most of these occasions, and that they were supplemented or substituted for as needed by hired musicians from the town or the military., Martin Voříšek., Rubrika: Studie, and Anglické resumé na s. 141-142, anglický abstrakt na s. 117.
The study deals with the dating and interpretation of the Latin text known under the title Ordo ostendendarum reliquiarum Crumlovii. The text is a detailed instruction of Corpus Christi processions and the subsequent exhibition and veneration of holy relics in the double monastery of the Minorites and the Poor Clares in Český Krumlov. According to the codicological analyses by Michal Dragoun (see Appendix II), the Ordo comes from the end of 1360s. The text is a rare monument also in terms of philology, because it contains the prescribed proclamations and responses of the faithful in both local languages, Czech and German. The study further deals with the displayed relics of the saints and their reliquaries. The hymns and songs in the course of the ceremony were determined by Hana Vlhová-Wörner., František Šmahel; komentáři v přílohách přispěli Michal Dragoun a Hana Vlhová-Wörner., Studie obsahuje 4 přílohy, and Obsahuje literaturu a odkazy pod čarou