Studie se věnuje dialogu Anselma z Canterbury De grammatico. Tento spis byl samotným autorem označen jako úvod do dialektiky. V dobové dialektice zastával klíčové místo Aristotelův spis Kategorie. Tento článek se proto pokouší interpretovat Anselmův dialog jako určitou pedagogicky koncipovanou podobu komentáře k Aristotelovým Kategoriím. V návaznosti na Anselmův spis jsou postupně představeny jednotlivé teze z Aristotelových Kategorií (jak tzv. antepredicamenta, tak pojednání o substanci, kvalitě a částečně i vlastnictví) a způsob, jakým s nimi Anselm pracoval. and The paper deals with the dialogue De grammatico written by Anselm of Canterbury. The author of the dialogue himself described the work as an introduction to dialectics. In that epoch, the leading role in the given art belonged to Aristotle's Categories. As a result, the article aims to interpret Anselm's dialogue as a commentary to Aristotle's Categories conceived in a pedagogic form. Following Anselm's treatise, the paper analyses particular theses from the Categories (firstly the so-called antepredicamenta, then the categories of substance, quality, and partly also having) and the approach Anselm employed in working with them.
Hans Blumenberg is often considered an intellectual solitaire, an "invisible philosopher" and a modern hieronym in the hermitage. But for Blumenberg's scientific work of the 1960s, the picture is very different. Julia Amslinger introduces Hans Blumenberg's interdisciplinary engagement within the research group Poetics and Hermeneutics that was founded in 1963.
Within science fiction the topic of 'first contact' is a popular theme. How will an encounter with aliens unfold? Will we succeed in communicating with them? Although such questions are present in the background of many science fiction novels, they are not always explicitly dealt with and even if so, often in a poor way. In this article, I will introduce a typology of five dominant types of solutions to the problem of first contact in science fiction works. The first four solutions are the more dominant, but also the least interesting ones. There is a fifth category that addresses the question of first contact in a more interesting way, exemplified by the work of Stanisław Lem. This fifth option defines itself as a critique of the four previous categories, or of their shared assumption of what Lem (1967) has called 'the myth of cognitive universality'. Lem is sceptical of the common optimism that first contact will always be successful. In books such as Solaris (1961), His Master's Voice (1967) and Fiasco (1986), humanity makes first contact with an alien phenomenon, but fails to comprehend the phenomenon. Fundamentally, it will be argued that Lem's work shows that in such an encounter we will typically not only lack the right answers to our questions, but that we also often lack the correct questions: we simply do not have the right categories or instruments to even recognize, let alone meaningfully interrogate, the alien phenomenon. The article ends with an exploration of the implications of Lem's pessimism and whether it is the most plausible option for first contact. Moreover, the article will draw some lessons for philosophy of science, by exploring the parallel with the confrontation of novel or deviant phenomena in science. Lem's work is helpful here because it succeeds in articulating what has not always been appreciated in the philosophy of science, namely that the right questions by which to interrogate scientific phenomena are not given, but that their articulation always requires work.
In the seventy years since AI became a field of study, the theoretical work of philosophers has played increasingly important roles in understanding many aspects of the AI project, from the metaphysics of mind and what kinds of systems can or cannot implement them, the epistemology of objectivity and algorithmic bias, the ethics of automation, drones, and specific implementations of AI, as well as analyses of AI embedded in social contexts (for example). Serious scholarship in AI ethics sometimes quotes Asimov's speculative laws of robotics as if they were genuine proposals, and yet Lem remains historically undervalued as a theorist who uses fiction as his vehicle. Here, I argue that Lem's fiction (in particular his fiction about robots) is overlooked but highly nuanced philosophy of AI, and that we should recognize the lessons he tried to offer us, which focused on the human and social failures rather than technological breakdowns. Stories like "How the World Was Saved" and "Upside Down Evolution" ask serious philosophical questions about AI metaphysics and ethics, and offer insightful answers that deserve more attention. Highlighting some of this work from The Cyberiad and the stories in Mortal Engines in particular, I argue that the time has never been more appropriate to attend to his philosophy in light of the widespread technological and social failures brought about by the quest for artificial intelligence. In service of this argument, I discuss some of the history and philosophical debates around AI in the last decades, as well as contemporary events that illustrate Lem's strongest claims in critique of the human side of AI.