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2. 1969–1972: Samoská záležitost Zbigniewa Herberta
- Creator:
- Monluçon, Anne-Marie
- Format:
- text/pdf
- Type:
- Article
- Subject:
- Zbigniew Herbert, Samos, pražské jaro, cenzura, analogie, angažovanost, Herbert, Prague Spring, censorship, analogy, involvement, and Slavonic Studies
- Language:
- Czech
- Description:
- V roce 1964 obdržel polský básník Zbigniew Herbert vízum pro cestu do Řecka. O své cestě pojednává v pěti esejích věnovaných antickému Řecku, které vycházely v letech 1965–1973, dříve, než byly vydány posmrtně v souboru názvem Labyrint u moře (2000). Proč se Herbert zajímá v páté eseji, jež vznikla v roce 1969, o revoltu na ostrově Samos proti athénské hegemonii? Díky tomuto tématu může promlouvat o současnosti (pražské jaro a jeho potlačení) a cenzuře: návrat prostřednictvím minulosti, explicitní a implicitní analogie. Disidentský básník také navrhuje politickou analýzu sovětské totality a pohrává si s dvojsmysly. Ale toto gesto angažovanosti ve prospěch odporu Čechoslováků musí být chápáno v perspektivě širšího rámce historického výzkumu dané doby a reflexe dějin vítězi. and In 1964 Polish poet Zbigniew Herbert obtained his visa for Greece. This trip was the basis for five essays devoted to ancient Greece that were published between 1965 and 1973, before being gathered in a posthumous collection, The Labyrinth by the Sea (2000). In the fifth essay, written in 1969, Herbert interested in the episode about the Revolt of Samos against Athenian hegemony. Why this particular interest? This subject allows him to speak about the present (the Prague Spring) and its repression by-passing censorship: the detour in the past as well as the process of explicit and especially implicit analogy. The dissident poet also proposes a political analysis of Soviet totalitarianism, playing on a series of double meanings. But this commitment supporting the revolt of the Czechoslovaks must be put into perspective in the broader context of the historical research of his time and his reflection on how the victors write history.
- Rights:
- CC BY-SA 4.0 International and unknown
3. Cenzorská činnost Jeronýma Zeidlera: příspěvek k cenzorské praxi v době předbřeznové
- Creator:
- Hedvika Kuchařová
- Format:
- print, text, and regular print
- Type:
- article, články, journal articles, model:article, and TEXT
- Subject:
- Rukopisy, prvotisky, staré tisky. Vzácná a pozoruhodná díla, svobodný pán, Zeidler, Hieronymus Joseph, 1790-1870, 19. století, náboženská literatura, církevní instituce a organizace, dějiny knižní kultury, cenzoři, cenzura, zakázané knihy, premonstráti, religious literature, ecclesiastical institutions and organizations, history of books and reading, censors, censorship, prohibited books, Premonstratensians, Česko, 12, and 09
- Language:
- Czech
- Description:
- Hedvika Kuchařová.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Den s dějinami literární cenzury
- Creator:
- Svoboda, Luděk
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Věda. Všeobecnosti. Základy vědy a kultury. Vědecká práce, 18.-21. století, česká literatura, literární komunikace, cenzura, Czech literature, communication in literature, censorship, Česko, Czechia, 12, and 00
- Language:
- Czech
- Description:
- [autor recenze] Luděk Svoboda.
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public
5. Polizey und Publikation: Joseph von Sonnenfels und Der Mann ohne Vorurtheil
- Creator:
- Matzneller, Magdalena
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Sonnenfels, Joseph von, asi 1733-1817, politologie, cenzura, political science, censorship, moral weekly, gender relations, 8, and 94(437)
- Language:
- Czech and English
- Description:
- The paper focuses on the links between the doctrines taught by Joseph von Sonnenfels at the University of Vienna and his moral weekly Der Mann ohne Vorurtheil. The hypothesis that Sonnenfels uses his publication to divulge his academic findings to a wider public is supported by a comparison of his academic and literary works, and three of the many aspects are presented. Sonnenfels writes not only about moral issues but also about the ideal relationship between the state and its citizens, and he uses the moral weekly to express his ideas about the Viennese theatre and the way it should be censored. With regard to censorship there exist some differences between the theory defended by Sonnenfels and his personal experience as an author. In fact some pieces of his moral weekly got him in trouble and he was forbidden to address certai topics, such as the Church and the situation of the peasants. The most prevalent themae, however, is marriage and gender relations. According to his doctrines high ethical and educational standards as well as a high population keep a state safe from within and that leads Sonnenfels to concentrate on this issue., Magdalena Matzneller., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public