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42. Otakar Ostrčil and the Critical Edition of Bedřich Smetana's Opera Prodaná nevěsta

Creator:
Markéta Kratochvílová
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
Ostrčil, Otakar, 1879-1935, Smetana, Bedřich, 1824-1884, 1921-1940, kritická vydání, critical issues, opery, operas, hudebniny, sheet music, 82.09, 782, 78.089, and (048.8)
Language:
Czech
Description:
Studie Markéty Kratochvílové je věnována osobnosti hudebního skladatele a dirigenta Otakara Ostrčila, avšak zaměřuje se na jeho ediční činnost. Autorka se zde věnuje Ostrčilově participaci na kritickém vydávání děl Bedřicha Smetany, kterýžto projekt realizoval Zdeněk Nejedlý ve 20. a 30. letech 20. století. Prodanou nevěstou se Ostrčil zabýval od roku 1924 až do své smrti v roce 1935 a edicí se zabýval nejen jako standardní editor, ovšem velmi podrobně se vyjadřoval i k podobě hudební sazby a dalším parametrům edice., The present study familiarises the reader with the activity of the composer and conductor Otakar Ostrčil as a music editor and in particular his work on the critical edition of Bedřich Smetana’s opera Prodaná nevěsta (The Bartered Bride), which was realised as part of the first attempt at publishing a complete works edition of Smetana’s music between 1924 and 1936 under the leadership of Zdeněk Nejedlý. The study is based on correspondence exchanged between Ostrčil and Nejedlý and is placed in the context of efforts to publish Smetana’s works during the first decades of the twentieth century as well as the context of Ostrčil’s life and works., Markéta Kratochvílová., Rubrika: Studie, and České resumé na s. 179-180, anglický abstrakt na s. 169.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private

43. P a d (Používání statistické a věcné významnosti v českých sociálních vědách)

Creator:
Soukup, Petr
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
statistical significance, substantive significance, effect sizes, and content analysis
Language:
Czech
Description:
The aim of the article is to quantify how often in leading Czech social-science journals (Československá psychologie / Czechoslovak Psychology, Pedagogika/Pedagogy, and Sociologický časopis / Czech Sociological Review) authors choose the wrong procedures to analyse quantitative data. In particular, attention is focused on the incorrect choice of statistical tests, their misinterpretation and mechanical application, and the use of effect sizes, that are so highly recommended nowadays. The basic research period was ten years, from 2005 to 2014, and for the Czech Sociological Review the period was extended back to 1995. The results of the content analysis of published articles (N=363) show that statistical tests are applied quite often to data that are not suitable for statistical tests: this is found in about one-fifth of cases in Czech Sociological Review, one-half in Pedagogy, and more than three-quarters in Czechoslovak Psychology. In addition, authors often make mechanical use of statistical methods or make incorrect interpretations (in over 40% of articles in the Czech Sociological Review over the last 10 years) and there are rarely any substantive interpretations of results (especially in Czechoslovak Psychology). Effect sizes are applied relatively often, but there are also gaps in their usage. It is clear from the results that changes are necessary both in the teaching of quantitative methodology and publishing practices in this subject area.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:private

46. Práce za pokladnou: flexibilní organizace v supermarketech a prekarizace práce

Creator:
Bek, Tomáš
Format:
bez média and svazek
Type:
model:article and TEXT
Subject:
flexible organisation, numerical flexibility, functional flexibility, precarisation of work, and working conditions
Language:
Czech
Description:
Research on precarious work and the working conditions of lowwage workers often stresses the role of the labour market or state institutions in either creating or exacerbating already precarious working conditions. However, it often ignores their organisational aspects. At the same time, in organisation studies there is a large body of literature that focuses on internal organisational structures but disregards working conditions. This article is based on a case study of supermarket cashiers and deals with the flexibilisation of their work. Firms use two forms of flexibility as a cost-cutting strategy: numerical and functional flexibility. Numerical flexibility divides workers into different groups according to their work contract. This enables firms to employ as much labour as they need at a particular point in time. In effect firms reduce the number of employees while intensifying the work of the employees they retain. In the case of functional flexibility the duties and responsibilities attached to a job are redefined. In this respect, I show that the duties of the cashiers in my case study are increased beyond the scope of tasks traditionally attached to this occupation and head towards the model of a universal worker. This shift leads to a decline in qualifications that, combined with technological changes, results in the degradation of work. As a result, flexibilisation processes deepen existing asymmetries in employer-employee relationships and thereby enable firms to transfer a significant amount of market risk onto the shoulders of workers. Moreover, the negotiating position of workers remains weak and their wages low.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:private

47. Problémy dosavadních vydání varhanních skladeb Leoše Janáčka

Creator:
Jan Hora
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
Janáček, Leoš, 1854-1928, hudebniny, sheet music, hudba pro varhany, organ music, 78.089, 786.61, and (049)
Language:
Czech
Description:
Příspěvek Jana Hory je věnován edičním zpracováním varhanních kompozic od hudebního skladatele Leoše Janáčka. Autor, jenž je sám výtečným varhaníkem, zde hodnotí jejich úroveň i nedostatky., The article summarises all of the problems with the existing editions of Leoš Janáček’s organ compositions. The indisputable originality of the composer’s musical language, highlighted by his peculiar, inimitable notation and the nearly illegible handwriting that resulted when his hand could not keep up with his thoughts, did not always lead to comprehension of the composer’s intentions. These circumstances also emboldened the efforts of publishers to make the notation of his compositions more intelligible and often to “improve” his works in the best sense of the word. It is the author’s assertion that in spite of the existence of a Complete Critical Edition of the Works of Leoš Janáček and of many other printed editions, we shall still have to wait for an edition of Janáček’s organ works that will correct all of the errors in the musical text and will approach a return to the composer’s notation., Jan Hora., Rubrika: Informatorium, and Anglický abstrakt na s. 213.
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:private