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2. Delegitimation through corruption: legal and administrative changes in Bavaria and Prussia during the Napoleonic era (1800-1820)
- Creator:
- Bernsee, Robert
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Bavaria, Prussia, corruption, reform, and Napoleonic Age
- Language:
- Czech
- Description:
- The article deals with corruption in Bavaria and Prussia around 1800. In accordance with recent research, the author assumes corruption as a socially constructed phenomenon that is subjected to a historical change. In this article, he tries to show how a new notion of corruption appeared in public, became a weapon in political conflicts and influenced the legal and administrative reforms in both German monarchies. The author concludes that corruption charges might be seen as a driving force behind the legal reforms: The reformers in both countries tried to delegitimise the old regime by corruption charges and, thus, cleared the way for bureaucratic reforms.This delegitimation can be observed in public debates, in internal discussions and in the new laws themselves.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
3. Paramilitary extremism in interwar Hungary and its anti-Jewish argumentation
- Creator:
- Adam, Istvan Pal
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Post-World War I anti-Jewish violence, white terror, interwar anti-Semitism, paramilitary atrocities, borderlands, Trianon Treaty, First Vienna Award, Rongyos Gárda, and Iván Héjjas
- Language:
- Czech
- Description:
- The article explains the rise of popular extremism in post-World War I Hungary through the story of Iván Héjjas and the Ragged Guard/Rongyos Gárda. This interwar militia is responsible for anti-Jewish and anti-Communist atrocities in 1919-1923, and it was also deeply involved in the spreading of the anti-Semitic sentiment in the Hungarian countryside. Its case is particularly interesting because of its rejuvenation in 1938, when the Hungarian government relied on the militiamen in a secret mission in the Sub Carpathian borderlands against the integrity of Czechoslovakia. The paper also investigates the background of some common anti-Jewish accusations the Rongyos Gárda members propagated, and it tries to understand these arguments in a power framework.
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
4. Problematika národnostních menšin jako politikum: národní koncepce endecji před první světovou válkou
- Creator:
- Květina, Jan
- Format:
- bez média and svazek
- Type:
- model:article and TEXT
- Subject:
- Polish nation, national democracy, Dmowski, Balicki, national minorities, and national egoism
- Language:
- Czech
- Description:
- This paper deals with the interpretation of the national discourse of the Polish national democracy at the turn of the 19th and 20th century focusing on the definition of the Polish identity and the desirable extent of the future independent Poland. On the basis of these principles it is possible to determine the attitudes of the National Democrats to the issues of the non-Polish ethnic groups in the regions of former Rzeczpospolita. As the key method of this rersearch we can highlight the comparison of the theoretical concepts of the main exponents of the National Democracy which evidences that optimal definicition of he "Pole" and "Poland" in their notions before World War I was not unambiguous. and Článek zahrnuje poznámkový aparát pod čarou
- Rights:
- http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public
5. The problem of the differentiation of criticism and art in the literary system of late 18th century Bohemia
- Creator:
- Smyčka, Václav
- Format:
- print, bez média, and svazek
- Type:
- model:article and TEXT
- Subject:
- Schmidt, Siegfried J, 1940-, kriticismus, osvícenství, genialita, criticism (philosophy), enlightenment, genius, functional differentiation, 8, and 94(437)
- Language:
- Czech
- Description:
- Starting with the traditional dichotomy of two views of the relation between criticism and art - "criticism as art" and "criticism based on detachment" - this study seeks to show both standpoints to be part of a single complex of issues and tensions associated with the functional differentiation within literary communication at the turn of 18th and 19th century. This approach is based on Niklas Luhmann’s system theory, applied (with something of a twist) by Siegfried Schmidt to literature. After introducing the problem of functional differentiation within the literary system in Bohemia, the study presents many different historical conceptions of the relation of art and criticism observable in discussions at the turn of 18th and 19th century in Bohemia. I then focus on the notion of "genius" in these discussions, which played an important role in the development of the concept of "criticism as art". In the following three parts, the study investigates the differentiation of critical praxis: the genesis of "artistic criticism" characterized by hermeneutics and its form-reflecting approach, and the ongoing usage of artistic genres in criticism. The last part focuses on a specific critical genre of the period, the satirical vision, and its transformation as a consequence of the differentiation of the literary system., Václav Smyčka., and Obsahuje bibliografické odkazy
- Rights:
- http://creativecommons.org/publicdomain/mark/1.0/ and policy:public