The Academies of St John presented by the Society of Bohemian Journalists in the form of a series of orchestral concerts held in Prague took place as a part of celebrations in honour of St John of Nepomuk held each May from 1878 until 1885. The Society of Bohemian Journalists held the events for the purpose of raising money, and on an ideological level, the events were intended to create room for the presentation of orchestral works by Bohemian composers. The organizer of the Academy was the writer, poet, and journalist Jan Neruda, whose feuilletons and reviews in the newspaper Národní listy reflect on the academies that they produced, but on a broader level, they also reveal his attitude towards the saint and the traditional veneration of John of Nepomuk. As a source, this period correspondence of the direct or indirect participants in the Academies of St John or in another project with similar aims (the Slavonic Concerts of the Academic Readers Association) has not previously been exhaustively studied, and it offers insight into Prague’s concert life at the time., Petra Kolátorová., Rubrika: Studie, Obsahuje seznam literatury, and Anglické resumé na s. 296-298.
Studie Marie Škarpové se zabývá literárními prameny a okruhy duchovních písní, které byly inspirací pro repertoár kancionálu "Jesličky, staré a nové písničky", jehož autorem byl přední český barokní básník a duchovní Fridrich Bridelius., This study deals with that portion of the repertoire of the Czech Advent and Christmas songbook Jesličky (Prague, 1658) by Fridrich Bridelius, which newly appeared in Czech hymnography thanks to this song book, and it summarizes the various results of the search for textual sources from other languages for these “new” songs in Jesličky. It points out their ties to contemporary German written hymnography (of both German and Bohemian provenience) and to Latin hymnography, i.e. to contemporary Latin songs. The text is thus not only a contribution towards discovering the ways that Czech hymnographers of the 17th century became familiar with the new, i.e. baroque, poetic language, but also, above all, an attempt to stimulate further hymnological research on baroque hymnographic works in the early modern history of Central Europe and the interconnections and relationships between them., Marie Škarpová., Rubrika: Studie, and České resumé na s. 397, anglický abstrakt na s. 377.
"(...) and thus her Majesty most graciously orders this malady to be endicated as well". Empress Maria Theresa as a Patroness of the Theresian Foundation for Noblewomen in Prague.
"...and the duke sat down in the carriage beside the princely bride...". A Contribution to the Cognition of the Court Ceremonials of the Last Piasts on the Example of George III of Brieg.
Příloha: Umělci v korespondenci a dalších dokumentech hraběte Ingáce Dominika Chorynského z Ledské. and "... mit solchen Männern, wie Sie sind, haben Sr Excellenz mein Hochgräfl: gnädiger Herr Principal gerne zu thun." Count Ignatz Dominik Chorynský of Ledská and His Artists Franz Anton Sebastini, Ignatz Raab, Franz Laurenz Korompay, Andreas Schweigl, David Roentgen et alii.
"...bestimmt habe ich zeitlebens nie so viele Hart- und Trotzköpfe gesehen..." oder ein kurzer Einblick ins Leben der Bewohner von Kasejovice (Kassejowitz) im Jahr 1680 während der Pestepidemie in Böhmen.
"...So that really poor people are provided for and the begging stops...". The role of the Roman Catholic Church in fighting poverty at the turn of 18th century.
"...beate Marie virginis gloriose, in cuius honorem eadem parrochialis ecclesia sit consecrata..." Einblicke in die Welt der mittelalterlichen Patrozinien in Südmähren.