The plenarium of Načeradec belongs to the ten eldest diocesan missals which have been preserved in Bohemia and Moravia. It can be dated to the second decade of the 14th century according to its script and decoration. Only a small part of the ordinarium and de tempore of the proper missal have been preserved. The original calendar was substituted for a new one at the beginning of the 15th century. Municipal scribes recorded in the free margins of the codex a series of memorial entries which became a pretious source of knowledge of the everyday life in the second half of the 16th and in the first half of the 17th centuries.
The plenarium of Načeradec belongs to the ten eldest diocesan missals which have been preserved in Bohemia and Moravia. It can be dated to the second decade of the 14th century according to its script and decoration. Only a small part of the ordinarium and de tempore of the proper missal have been preserved. The original calendar was substituted for a new one at the beginning of the 15th century. Municipal scribes recorded in the free margins of the codex a series of memorial entries which became a pretious source of knowledge of the everyday life in the second half of the 16th and in the first half of the 17th centuries.
The missal of Načeradec is a modest codex from an artistic point of view. Its decoration is limited to one figural illumination only – a canon depiction of the Crucifixion; besides this, the manuscript contains only filigree initials and clerical capitals. The quality of its figural decoration is comparatively high. Its style is post-classical Gothic; linear pleats of the draperies imply a date in the beginning of the 14th century. Only a few analogies can be found in simultaneous book painting, e.g. in the decoration of the manuscripts of Eliška (Elisabeth) Rejčka, but these analogies are not immediate. Some correspondence, however, can be found in monumental art, more precisely in mural painting.
The missal of Načeradec is a modest codex from an artistic point of view. Its decoration is limited to one figural illumination only – a canon depiction of the Crucifixion; besides this, the manuscript contains only filigree initials and clerical capitals. The quality of its figural decoration is comparatively high. Its style is post-classical Gothic; linear pleats of the draperies imply a date in the beginning of the 14th century. Only a few analogies can be found in simultaneous book painting, e.g. in the decoration of the manuscripts of Eliška (Elisabeth) Rejčka, but these analogies are not immediate. Some correspondence, however, can be found in monumental art, more precisely in mural painting.