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Start Over Subject dvorské umění

1. Peter Kováč a kol., Úsvit renesance. Dvorské umění císaře Fridricha II. Bamberský a Magdeburský jezdec

Creator:
Martina Kudlíková
Format:
print
Type:
model:article and TEXT
Subject:
II., římský císař, Friedrich, 1194-1250, 13. století, dvorské umění, kulturní vlivy (antické), gotická architektura, jezdecké sochy, courtly art, culture's influence (ancient), gothic architecture, equestrian statues, Bamberg (Německo), Magdeburg (Německo), Germany, 21, and 73
Language:
Czech
Description:
[autor recenze] Martina Kudlíková.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

2. Peter Kováč, Kristova trnová koruna. Paříž, Sainte-Chapelle a dvorské umění svatého Ludvíka

Creator:
Martina Kudlíková
Format:
print
Type:
model:article and TEXT
Subject:
Sainte-Chapelle (Paříž, Francie), 13.-14. století, středověké umění, gotická architektura, dvorské umění, Trnová koruna Krista, medieval art, gothic architecture, courtly art, Crown of thorns, 21, and 72
Language:
Czech
Description:
[autor recenze] Martina Kudlíková.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

3. Sochy zakladatelů v Kastlu - reprezentace české vlády v Horní Falci (1355-1373)?

Creator:
Aleš Mudra
Format:
print
Type:
model:article and TEXT
Subject:
IV., český král a římský císař, Karel, 1316-1378, 13.-16. století, středověké sochařství, genealogie, panovníci, dvorské umění, medieval sculpture, genealogy, kings and rulers, courtly art, Horní Falc (Německo), Oberpfalz (Germany), 21, and 73
Language:
Czech
Description:
The study is devoted to the trio of statues of the founders in the church of the former Benedictine Kastl Abbey. At the time of the origination of the statues, in the third quarter of the fourteenth century, Kastl was situated in immediate proximity to the southern border of the Upper Palatinate, which was annexed to the Lands of the Bohemian Crown. Soon thereafter, the joining of a new land ruled by the Luxembourg Dynasty and the Kingdom of Bohemia was symbolically reinforced when Charles IV renewed the long vanished title of Duke of Sulzbach and bestowed it on his son Wenceslas. If the statues in Kastl Abbey were in fact related to the Bohemian house of Luxembourgs, they would fit well into the context of the Charlesian depictions of monarchial predecessors in Prague, Karlstein, and Tangermünde. Nonetheless, the kinship with the Karlstein genealogy of Charles IV is not restricted to the ideological level; it is also obvious on the artistic level. The family tree that was completed shortly before the completion of the statues in Kastl Abbey includes exact models of figure types and their court attire. Analogies to the sculptural work can be traced to the 1350’s second-rate pre-Parlerian production in Rhineland and Central Europe. and Aleš Mudra.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

4. Tři knihy o umění doby Jana Lucemburského

Creator:
Jan Klípa
Format:
print
Type:
model:article and TEXT
Subject:
český král, Jan Lucemburský, 1296-1346, královna, choť Jana Lucemburského, českého krále, Eliška Přemyslovna, 1292-1330, Galerie hlavního města Prahy, Ostravské muzeum (Ostrava, Česko), Národní muzeum (Praha, Česko)., Lapidárium, 14.-15. století, české umění, dvorské umění, dvorská kultura, sňatky panovnických rodů, výročí, Czech art, courtly art, courtly culture, anniversaries, země Koruny české, Lands of the Bohemian Crown, 21, and 72/76
Language:
Czech
Description:
Jan Klípa.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public