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2. Dvě koncentrace epigravettských artefaktů v Mohelně-Plevovcích

Creator:
Petr Škrdla, Jaroslav Bartík, and Rychtaříková, Tereza
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
architektura, Morava (Česko), Moravia (Czechia), Mohelno (Česko : oblast), Mohelno Region (Czechia), late upper paleolithic, Epigravettian, backed rectangles, 8, and 902
Language:
Czech
Description:
The site of Mohelno-Plevovce is situated below the water line of the Mohelno water reservoir (lower part of the Dalešice pumped-storage hydroelectric power plant). The site was repeatedly occupied during the Late Upper Paleolithic. We discovered three areas with in-situ artifacts within intact sediments. While two assemblages excavated so far in Artifact Cluster 3 are characterized by microlithic tools made on carenoidal blanks and utilization of local rocks, both assemblages in Artifact Clusters 1 and 2 differ significantly from Artifact Cluster 3 and represent different techno-complexes. Artifact Clusters 1 and 2 are characterized by prevailing erratic flint supplemented by several artifacts made on radiolarite and obsidian. Technology is characterized by long, narrow and straight blades and bladelets removed from bidirectional cores. The collection of tools is characterized by prevailing backed microblades, in several cases with a straight truncation. In one case the truncations form a rectangle. This techno-complex continuing the Gravettian technological tradition is similar to material from Brno-Štýřice that is currently dated to the large time span covering two millennia between 17 100 and 19 100 calBP., Petr Škrdla, Jaroslav Bartík, Jan Eigner, Tereza Rychtaříková., and Obsahuje seznam literatury
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

3. Früh- und hochmittelalterliche Binnerschiffe in Mitteleuropa: Ein Überblick zum aktuellen Stand der Forschung

Creator:
Kröger, Lars
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
architektura, konstrukce lodí, architecture and society, ship construction, Německo, Germany, Early Middle Ages, High Middle Ages, nautical archaeology, inland navigation, water transport, 8, and 902
Language:
Czech
Description:
In addition to providing subsistence and consumable resources, one of the most important features of water is the ability to provide transport and communication between geographically separated areas. In both uses, vehicles play a key role. While current research into boats and ships on the seas is relatively well recognised, recent results in the area of inland waterways seem to be barely taken into account in current investigations. Too foten scientist have to rely on an otdate state of research, but in fact several findings have laterl been re-edited and presented. This article provides an updated look at the subject of inland navigation in the Early and Hig Middle Ages and focuses especially on current pbuliactions or those that are difficult to obtain. Further, an overview on the state of research in neighbouring countries is offered, thereby presenting a fuller view of the subject´s potentional., Lars Kröger., and Obsahuje seznam literatury
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

5. Odkaz architektury, filozofie a vědy v Lannových vilách

Creator:
Marina Hužvárová
Format:
print, bez média, and svazek
Type:
article, zprávy, model:article, and TEXT
Subject:
Věda. Všeobecnosti. Základy vědy a kultury. Vědecká práce, Lanna, Vojtěch, 1805-1866, 1836-1909, konference, architektura, vily, conferences, architecture, villas, 12, and 00
Language:
Czech
Description:
Vojtěch Lanna, an industrial entrepreneur who was one of the most renowned philanthropists and collectors of art in the late 19th century built two neo-renaissance villas for his family. One was erected in Prague (1868-1872) and serves representative purposes of the Czech Academy of Sciences at present. The other was built in Gmunden, near Lake Traunsee, Upper Austria, between the years 1872 and 1875 and ranked among the most important neorenaissance summer houses in the region. It and was introduced by the Academic bulletin both in a supplement of its regular issue (2014/7-8) and in a special edition last year. In August this year, it hosted a seminar on the theme Was bleibt? Architektur-Philosphie-Wissenschaft. Professor Jan Bažant of the CAS Institute of Philosophy was invited to speak not only about the history of the Lanna family but also about the architecture and beautifully decorated interiors of both villas and their significance for the cultural heritage of both The Czech Republic and Austria. and Marina Hužvárová.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

6. Pražské zastavení programu Palatium

Creator:
Sylva Dobalová and Ivan Muchka
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Věda. Všeobecnosti. Základy vědy a kultury. Vědecká práce, Habsburkové (rod), Valois (rod), European Science Foundation, programy a projekty, architektura, umění, šlechtické rody, programs and projects, architecture, art, house of nobility, 12, and 00
Language:
Czech
Description:
Sylva Dobalová, Ivan Muchka.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public

8. Sídliště a kulturní domy, základní kameny nové socialistické společnosti

Creator:
Doubravka Olšáková
Format:
print, bez média, and svazek
Type:
model:article and TEXT
Subject:
20. století, architektura, urbanismus, socialistický realismus (architektura), architecture, city planning, socialist realism (architecture), Ostrava (Česko), Ostrava (Czechia), 8, and 93/94
Language:
Czech
Description:
Recenzentka vychází z toho, že zrod socialistické kultury v Československu po únoru 1948 předjímal také nový přístup k urbánním konceptům a společenské funkci architektury, která začala být chápána jako prostředek aktivní proměny „přírodního prostředí“ v „životní prostředí“ a stala se tak politikem. První recenzovaná publikace je podle ní zatím jedinou větší prací věnovanou komplexní historii takzvané Nové Ostravy a jejích satelitních sídlišť, která v této nejprůmyslovější oblasti Československa od konce čtyřicátých let minulého století vznikala. Její autor zde sleduje sovětský vliv a problém sovětizace české architektury, zároveň se ale snaží vidět pod rouškou příklonu k sovětským vzorům návrat či počátek specifického československého vývoje. Ve druhé práci pak autor zaměřil pozornost na takzvané kulturní domy jako multifunkční zařízení určené k všestrannému vzdělávání veřejnosti, které se staly typickým dobovým fenoménem, jehož zhodnocení může poukázat nejen na hlavní rysy vývoje architektury a urbanismu za komunistického režimu, ale také na měnící se chápání společnosti, respektive „lidu“. Přes dílčí historické nepřesnosti a omyly obě publikace Martina Strakoše podle recenzentky znamenají jednoznačný přínos pro pochopení dobové atmosféry v architektonických a urbanistických kruzích a zároveň historikům umožňují nahlédnout do nepříliš prozkoumaných oblastí „budovatelské“ epochy., b1_The reviewer of these two publications starts from the premise that the birth of Socialist culture in Czechoslovakia after February 1948 also anticipated a new approach to the concepts of urban planning and the social function of architecture, which began to be understood as an active way to change the ‘natural environment’ into a ‘living environment’, and this function thus became policy. The first publication considered here, whose title translates as ‘The New Ostrava and its satellites: Chapters in the history of architecture from the 1930s to the 1950s’, is, according to the reviewer, so far the only large comprehensive history of what is called Nová Ostrava (New Ostrava) and its satellite housing estates, which were built in this region, the most industrial of Czechoslovakia, from the late 1940s onwards. Its author, Martin Strakoš, traces the Soviet influence and the question of the sovietization of Czech architecture, but also tries to see, beneath the veil of the inclination to Soviet models, a return to specifically Czechoslovak changes or the beginning of new developments. In the second work under review, whose title translates as ‘Community arts centres in the Ostrava region in the context of twentieth-century architecture and art: The cornerstones of society’, the author, again Strakoš, focuses on community arts centres (kulturní domy, literally ‘houses of culture’) as multipurpose facilities intended for the all-round education of the public, which became a typical phenomenon of the period, the assessment of which can help to throw light not only on the main features of the development of architecture and urban planning during the Communist regime, but also on changes in understanding society and the ‘people’., b2_Despite their occasional historical imprecision and mistakes, Strakoš’s two publications make, according to the reviewer, definite contributions to our understanding of the atmosphere amongst architects and urban planners at the time, and they also provide historians with insight into a largely neglected aspect of the era of ‘building Socialism’., [autor recenze] Doubravka Olšáková., and Obsahuje bibliografii
Rights:
http://creativecommons.org/licenses/by-nc-sa/4.0/ and policy:public

10. Vídní po Hlávkových stopách

Creator:
Josef Pechar and Marina Hužvárová
Format:
print, bez média, and svazek
Type:
article, články, model:article, and TEXT
Subject:
Biografie, Hlávka, Josef, 1831-1908, věda a umění, architektura, mecenášství, science and art, architecture, patronage, Vídeň (Rakousko), Vienna (Austria), 8, and 929
Language:
Czech
Description:
In Vienna, Josef Hlávka is mainly remembered as one of the most successful architects and builders of the 1860s. In a period of ten years from the 1860 to the 1870, he designed and built almost 150 buildings. One of the most significant achievements is the Vienna Opera which he built at the request of Emperor Franz Joseph I during the period of 1863-1869. The Emperor was very pleased with it and presented him with a special prize. and Josef Pechar, Marina Hužvárová.
Rights:
http://creativecommons.org/publicdomain/mark/1.0/ and policy:public