This study is dedicated to documenting the relationship between these two important musicians on the basis of excerpts from extant written sources. The most important documentation of contacts between Vaclav Jan Tomasek (1774-1850) and Carl Maria von Weber (1786-1826), who worked in Prague from 1813 until 1817 as Kapellmeister of the Estates Theatre, is Tomaseks autobiography published in Prague in 1845-1850 in a yearbook titled Libussa. We find additional brief documentation in Weber's diaries and in the correspondence of both men addressed to other persons. Tomasek's autobiography is also important documentation of how Weber's works were viewed by the German public and music critics., Obsahuje seznam literatury, and Anglické resumé na s. 82.
Das mehrstimmige Schaffen von Matthäus Apelles von Löwenstern (1594-1648) im Repertoire der Ortschaften in den Regionen Spiš (Zips) und Šariš (Scharosch) sowie in Wrocław (Breslau) des 17. Jahrhunderts.
Rozbor opery V. Nováka od předního interpreta tehdejší soudobé hudby a muzikologa zabývajícího se Novákovým dílem. Vydáno v roce premiéry této opery. and Název z obálky.
Studie Klause Dögeho obsahuje analytické poznámky ke kompozici hudebního skladatele Bohuslava Martinů, věnovanému památce vyhlazení Lidic., In his Memorial to Lidice (composed in the summer of 1943) Martinů pays tribute to the complete extinction of the Czech village Lidice and its inhabitants by the Nazis. In the composition he uses – as he has never done before in this way – many traditional idioms and quotation-like elements in order to express all the sadness, fright and pain of his subject., Klaus Döge., Rubrika: Studie, and Německé resumé na s. 18, anglický abstrakt 5.