Marcomans and "superiores barbari" in Třebusice and Jevíčko penecontemporaneous with Marcomannic Wars. The problem of transitional stage B2/C1 in Bohemia and Moravia. The paper deals with new finds of graves and settlements from Bohemia and Moravia during the second half of 2nd Century AD, especially important burials and metal artifacts (mainly fibulas) from Třebusice (Central Bohemian Region) and Jevíčko (historical territory of Moravia, now The Pardubice Region). Author focuses on developing a more detailed chronology of assemblages before, during and just after the Marcomannic Wars (B2b, B2/C1 and C1a). Evidence was found that "superiores barbari", ie. bearers of the Przeworsk and the Wielbark Culture, were present on Marcoman territory at this time. A similar situation where the Przeworsk and Wielbark Cultures appear to exist on Marcoman territory has been observed in other regions. These regions can be divided into eight main areas (north-western, central and eastern Bohemia, Malá Haná region (CZ), central and southern Moravia, Záhorie (SK) and the northern part of Lower Austria., Eduard Droberjar., České resumé., and Obsahuje seznam literatury
The second half of the 18th century marked an extraordinary flowering of music, especially church music in the Czech lands. Monastic churches, in particular, were characterised by a high level of music production performed by choral scholars whose liturgical music was conducted by chosen monks. Some members of religious orders also composed. These were for example M. J. Haberhauer (1746-1799), a member of the Benedictine order situated in Rajhrad near Brno and P. J. Marek (1748-1806) who belonged to the Augustinian monastery in Brno. Both of them got a musical education as choral scholars and remained musically active also after entering orders. Eventually these two authors both performed as chorregents in the 70’s and early 80’s of the 18th century and they collected sacred and secular pieces of music of their more famous and popular contemporaries (C. Ditters, F. X. Brixi, Haydn, etc.). Apart from a few exceptions they were only composing liturgical works. Haberhauer bequeathed 90 compositions, most of whom composed of Mass for choir and solo accompanied with instrumental ensemble as well as vespers and motets. Marek, however, composed only 21 church compositions and most of them consist of Marian antiphons and litanies of Loreto. These were necessary at the Augustinians, given the honor rendered to the picture of Virgin Mary placed in their church. The two monasteries ran a mutual cooperation which can be proved by Haberhauer music collection preserved at Augustinians in Brno. Haberhauer work can be also found in the collections of other Moravian churches and also at Prague Benedictine order. While Marek’s compositions were exclusively connected to the Augustinian monastery in Brno. Their pieces of music are purely purposeful showing features of a musical classicism. Lives and works of both composers are now the subject of research of the author and of Pavel Žůrek from the Ins, Irena Veselá., and Obsahuje bibliografické odkazy
Under Maria Theresa, the provincial courts in Moravia continued to operate along the lines set out in the judicial reforms of 1620-1650. Although the reform efforts of the Theresian system had little direct effect on them, the character of these courts did gradually change. By the early 1740s they were inundated with a backlog of unresolved cases that rendered them slow and unwieldy. Following the cancellation of inactive disputes, however, the number of open cases started to drop rapidly, and by the 1760s the provincial court was accepting an absolute minimum of new lawsuits. This was due less to any restrictions imposed by the state than to a lack of interest among the nobility in pursuing claims in the court. The provincial court continued to sit twice a year, but the reduction in the number of cases meant that the number of sessions in each judicial period also fell considerably. The nearly fifty cases heard by the provincial court in the reign of Maria Theresa were, however, similar in scope to those we are familiar with from the preceding period - property-related lawsuits among the nobility, disputes between monasteries and towns, criminal cases and claims by subject communities against their own landlords. Significant changes can also be discerned in the makeup of the courts, with judges being appointed on the basis of their legal training rather than their social standing or other "merits" and, generally, a far closer correspondence to other types of Theresian court, particularly the royal tribunal. There thus ceased to be a meaningful distinction between the royal and provincial judicial systems in the Theresian period., Jiří David., and Obsahuje bibliografické odkazy
Mohelno-Plevovce was repeatedly occupied during the Late Upper Paleolithic. Two paved stone structures constructed from local stones have been excavated thus far. These structures are characterized by a high density of lithic artifacts within the paved area and a rapidly decreasing density away from the paved area - this is interpreted as a result of the "barrier-effect" of the covered area. The lithic tools are characterized by abundant splintered pieces, steeply retouched end scrapers, and tiny microlithic tools produced on carenoidal blanks. Utilized raw material types indicate good knowledge of local rocks including rock crystal and weathering products of serpentinite, as well as broad raw material networks including erratic flint imported from northern Moravia and Szentgál radiolarite imported from Balaton Lake area., Petr Škrdla, Jaroslav Bartík, Jan Eigner, Tereza Rychtaříková, Pavel Nikolajev, Miriam Nývltová Fišáková, Ladislav nejman, Michaela Polanská, Jan Novák., and Obsahuje bibliografické odkazy
Later than in the wet of Europe, it was only in the course of the 12th century that the water wheel caught on in Bohemia and Moravia. At the same time hand-powered mills were still requently being used. Until the end of the 12th century most water mills as well as water courses were the property of princes, so permission to run an existing mil or to build a new one had to be granted. The location, design of and technology used in mediaeval mills in our vicinity have not been archaeologically researched. The hypotheritcal appearance of such mills and what equipment they had can be modelled based on the results of research abroad, since similar structures might also have been in use in mediaeval Bohemia and Moravia., Lucie Galusová, Martina Maříková., and Obsahuje seznam literatury
Studie Jany Spáčilové se zabývá mešními kompozicemi hudebního skladatele Antonia Caldary, dochovanými v moravských hudebních sbírkách., This article is dedicated to the problem of the erroneous attribution of authorship of Masses to Antonio Caldara in Moravian collections of church music. It contains information about extant records of Masses by Caldara and methodological discussion concerning the reliability of sources with respect to authorship. Also included is an overview of Caldara sources of Moravian provenience, including both extant music and entries in period inventories. Attention is dedicated both to compositions by others regarded in Moravia as works by Antonio Caldara, and to works by Caldara under the names of other composers. Works identified as having been written by other composers are presented in the form of tables, including signatures of all concordant sources found so far in European libraries. The purpose of the article is to give an idea of the standing of Caldara’s works in the repertoire of Moravian church music and to prepare material for a future thematic catalog of Moravian sources of Masses by Caldara., Jana Spáčilová., Rubrika: Studie, and Anglické resumé na s. 75, anglický abstrakt 45.