od Jana Klofce ; přeložil Josef Škrábek, Přeloženo z němčiny, Údaj o tvaru jména autora z bibliografického katalogu 19. stol., and Converted from MODS 3.5 to DC version 1.8 (EE patch 2015/06/25)
The paper reflects a long-term ambiguity in the theoretical concept of affective phenomena. The focal point of this study is the conceptualization of the term “affect” with regard to the other affective phenomena (specifically emotion and mood). Our definition of affect is substantially different than existing Czech terminology and we define affect as the necessary component of all affective processes. Contrary to the Czech traditional concept of affect, we do not attribute characteristics such as “high intensity” or “disorganising influence” on cognitive processes, behaviour, etc. per se. We define affect in accordance with many authors, as a point in the continuum of affective stream and the basic unit of all affective phenomena. Affective phenomena or processes we consider as an umbrella term for a complex phenomenon like affect, emotion, mood, emotional episode, interpersonal attitude, sentiment, passion and so on: their common component is the affect. We consider emotion as a figure that emerges in the affective stream as a complex reaction to the event that has meaning for an individual and is interpreted with respect to the experience, context, individual characteristic, and sociocultural environment of the individual. Contrary to the Czech tradition, emotions are viewed as “just” one type of affective phenomena with a relatively specific definitional framework. The moods are considered parts of the affective stream continuum that have a specific and for consciousness accessible quality. The concepts of affect, emotion and mood discussed in this paper are contrasted; however, we have described where they overlap conceptually. The relationships of all affective phenomena have been considered as interacting with a tendency to synchronize into one (for an individual typical) affective stream., I. Poláčková Šolcová, R. Trnka., and Obsahuje seznam literatury
Studie Karla Veverky se zabývá mešními díly hudebního skladatele Antonia Caldary, jejichž opisy se dochovaly v hudebních sbírkách v Praze, se zaměřením na významnou sbérku hudebnin z kůru pražských křižovníků., This study deals with individual aspects and problems of research on the Masses by Antonio Caldara with source materials held in Prague. Representing the basic material are two copies from the collection of the Knights of the Cross with the Red Star along with concordant sources amassed from Czech and foreign archives. The effectiveness of the standard methods used for studying musical sources is put to the test on a selected sampling of material. The comparison of individual copies helps answer questions not only about provenience or filial relationships between materials, but also about period performance practice. The goal of the study is to make at least a partial contribution towards systematic research on the musical life of Prague in the first half of the 18th century, when Caldara’s Masses were significantly represented in church music collections., Karel Veverka., Rubrika: Studie, and Anglické resumé na s. 93, anglický abstrakt 81.