Using the planning in Prague between the 1960s and 1980s as an example, the article deals with the transformation of the concept of a socialist city among urbanists and architects. The author describes how the generation of the inter-war modernist avant-garde inspired by works of Karel Teige (1900-1951) started reasserting itself again after Khrushchevʼs speech on architecture in 1954. Its infl uential member, Jiří Voženílek (1909-1986), became the Chief Architect of Prague. It was under his leadership that the General Plan of the Capital City of Prague was drafted at the turn of the 1950s and 1960s. The author analyzes the plan as an example of the socialist modernism and urbanistic optimism of its creators who believed that, subject to a correct application of principles of inter-war avant-garde architecture, an urbanistic transformation might become the base of a social transformation of socialism. The plan envisaged sacrifi cing not only all residential quarters of Greater Prague built at the turn of the century, but also the very principle of a traditional city with a network of living streets which socialist urbanists saw as an incarnation of all evils that the development of towns and cities had thitherto been governed by: mixing of functions, too high density of population, lack of light and air. New housing projects comprising high-rise prefab residential buildings set in greenery were to become the opposite of traditional streets. The article explains how criticism of the housing schemes, the chief representative of which was urbanist Jiří Hrůza (1925-2012), had been growing stronger since as early as the mid-1960s. Infl uenced by works of US journalist and urbanistic activist Jane Jacobs (1916-2006), he presented a comprehensive critique of socialist modernism and questioned they very principle of urban planning as a tool of social transformation. The intellectual skepticism was soon thereafter refl ected in urban planning practices in Prague; they abandoned the modernistic principle of zoning and acknowledged the value (fi rst urbanistic, later architectural) of traditional quarters. In the end of the article, the author analyzes how the urbanistic turning point was confronted with building industry practices and political preferences demanding rapid construction of fl ats and apartments. and Překlad: Blanka Medková
In Vienna, Josef Hlávka is mainly remembered as one of the most successful architects and builders of the 1860s. In a period of ten years from the 1860 to the 1870, he designed and built almost 150 buildings. One of the most significant achievements is the Vienna Opera which he built at the request of Emperor Franz Joseph I during the period of 1863-1869. The Emperor was very pleased with it and presented him with a special prize. and Josef Pechar, Marina Hužvárová.
The Residence of Bukovinian and Dalmatian Metropolitans (Ukraine) has been recently added to UNESCO's World Heritage List. The residence represents a masterful synergy of architectural styles built by the renowned Czech architect and philanthrophist Josef Hlávka from 1864 to 1882. The property, an outstanding example of 19th century historicist architecture, also includes a seminary and monastery and is dominated by the domed, cruciform Seminary Church with a garden and park. The complex expresses architectural and cultural influences from the Byzantine period onward and embodies the powerful presence of the Orthodox Church during the reign of the Austro-Hungarian Empire, reflecting its policy of religious tolerance. The former residence is located in the city of Chernivtsi in southwestern Ukraine and is now in use as an University. and Karel Ksandr.