Dependency Tree

Universal Dependencies - English - LinES

LanguageEnglish
ProjectLinES
Corpus Parttrain
AnnotationAhrenberg, Lars

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s-1 Yes, look at her, bunioned, bulbous, hair in bulrush rolls, butt-headed, butter-hearted and tenacious as a buckaroo.
s-2 I had seen it happen to others.
s-3 I did not want it to happen to me.
s-4 Fate. A spin on the Wheel of Fortune and out I tumbled at Jove's feet.
s-5 Another dizzy round, and there is Stella waiting to help me off.
s-6 But who is turning the wheel?
s-7 Honest Guv' I had both hands tied behind my back.
s-8 Neither my mother nor my father were able to cope with the 1960s.
s-9 Skirts were too short, hair was too long, and the favoured colour combination of purple and orange made my mother look like a vampire and my father a Matisse.
s-10 They were peculiarly ill-placed for the general assault on the past that the Sixties represented because they lived in Liverpool.
s-11 Liverpool, that should have slumbered its way through the Sixties as it had every other decade, produced the Beatles.
s-12 My parents were victims of the Merseybeat.
s-13 I was born in a tug-boat.
s-14 My mother whelped me in a mess of blankets while my noctivagant father towed in the big ships.
s-15 Perhaps it was the seriousness of our business that pushed us both into laughter, extremes of emotion so easily tumbling into their opposites.
s-16 Yet there was relief for us to find a human face behind the monster mask; the monster wife, the monster mistress, and what about the monster man?
s-17 Tell the story as it happened.
s-18 Why then did I trouble the surface?
s-19 It was not myself I fell in love with it was her.
s-20 'Are you waiting for someone?' I said.
s-21 'I was.'
s-22 'We're going to live in London,' he said.
s-23 'Why Daddy?'
s-24 'Because Daddy has a new job.'
s-25 Grandmother was here, wrapped from head to foot in woollens, her face entirely obscured by a seaman's balaclava.
s-26 She made us a cup of cocoa and my mother swept off in a taxi.
s-27 I woke up in the dazed apartment.
s-28 Next to me on the massacred bed, the order and beauty of her body.
s-29 On the table beside, an amputated lamp.
s-30 Across the room was a Snow Queen's mirror, its pieces scatters of despair.
s-31 I crept from beneath the scissored blankets to the bathroom.
s-32 The white and chrome was a shrine to Chanel.
s-33 A place for everything, everything in its place. Peace.
s-34 One day when my mother was taking me to school, the streets seemed very quiet.
s-35 We parked, although we were the only car on the stretch of road, and we got out to walk slowly, hand in hand, through some flimsy barriers of paper and string.
s-36 Far away we saw some policemen waving at us and we waved back.
s-37 We heard a lorry coming up behind and my mother told me it had a television crew on board which excited me who had never seen a television.
s-38 Anything that had been on the market for as little as ten years was unlikely to impress my father.
s-39 'Are you happy, Alice?'
s-40 'Yes, Daddy.'
s-41 It should have been fun but neither of them was happy.
s-42 When I was five my father was on pills and my mother was on gin.
s-43 I think I was happy, in the maddening determined way that children have of being happy, and it was that happiness that worked as a magnet on both of my parents.
s-44 They were pulled by it, they wanted it, and instead of taking it for granted, they started to take it to bits.
s-45 At last we arrived at a small diner in a beaten-up part of town.
s-46 She swung inside and we sat at a menacingly nice checked-cloth table with red carnations and a few rods of grissini.
s-47 A boy came out with a carafe of red wine and a bowl of olives.
s-48 He handed us the menus as if this was just an ordinary dinner in an ordinary day.
s-49 I had fallen into the hands of the Borgias and now they wanted me to eat.
s-50 When he stopped holding me up to the light he began to hold me up to the mirror.
s-51 He wanted to compare us, side by side, did I look like him?
s-52 He had enough money.
s-53 It was his wife they were draining away.
s-54 His friends interpreted the resentment as a normal response to a difficult situation.
s-55 My mother took the simple view that a man must have his work.
s-56 My father though, was not simple and he was still aware enough to turn the mask over and over in his hands and ask what it was.
s-57 Uncharacteristically, he went to visit my grandmother.
s-58 Months later, proud complacent Zeus had a headache and yowled his way over the earth, threatening to split the firmament with pain.
s-59 It was Hermes who told him the source of his trouble, and Hephaestus, the lame god of the smithy who took a hammer and wedge and split open Lord Zeus's skull.
s-60 Out came Athene tall strong beautiful and her father's own.
s-61 'You must be bored there,' said my mother.
s-62 But that was in the future, and in 1959 my father was in the fullness of his present, he could do no wrong.
s-63 As the lorry came close to us, four young men dressed entirely in black ran past.
s-64 Three of them carried guitars, one had a set of drumsticks.
s-65 I had seen people dressed in black before.
s-66 'Won't hurt,' said Grandmother.
s-67 'Look at me.'
s-68 Husband and wife. Man and rib. What could be more normal than that?
s-69 And now they were having a baby.
s-70 That is, my mother was bearing my father's child.
s-71 It was different when my sisters were born but I was Athene.
s-72 Athene born fully formed from the head of Zeus.
s-73 My father no longer wanted herring heads.
s-74 He wanted mink and pearls and he got them.
s-75 Like most men he was a transvestite at one remove; if his wife was part of him so were her clothes.
s-76 She was his rib and as such he too wore a silk shift.
s-77 He loved her clothes, loved to see her dressed up, it satisfied a part of him that was deeper than vanity.
s-78 It was a part of himself.
s-79 She completed him.
s-80 She manifested him at another level.
s-81 He absorbed her while she failed to absorb him.
s-82 This was so normal that nobody noticed it.
s-83 At least not until later, much later, when things began to change.
s-84 Page of cups
s-85 Her kitchen had strings of onions and fat hams hanging in glorious torture from twisted hooks in the ceiling.
s-86 She smoked her own kippers up the chimney, skewering them in pairs with discarded knitting needles.
s-87 For this she kept a wood fire.
s-88 The other fireplaces were fed on coal.
s-89 She had a glass-fronted cabinet lined with jars of homemade preserve; pickles, tomatoes, pears, cabbage, and in the middle, a baby rabbit.
s-90 This was not for eating.
s-91 It was an ornament.
s-92 When the wind blew and the cupboard rattled the rabbit bobbed up and down in his transparent prison, his ears buckling slightly as they hit the lid seal.
s-93 Like my grandmother he kept secrets the way other people keep fish.
s-94 They were a hobby, a fascination, his underwater collection of the rare and the strange.
s-95 Occasionally something would float up to the surface, unexpected, unexplained.
s-96 'Tha wife's to give birth.'
s-97 She was not resourceful; her class did not allow it, and I know it worried my grandmother that her son had found a wife who did not know how to make a soup out of herring's heads.
s-98 'I christen this child ...'
s-99 He didn't come home that night, nor the night after.
s-100 The telephone rang each evening at six o'clock until a week had passed.

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