Dependency Tree

Universal Dependencies - English - LinES

LanguageEnglish
ProjectLinES
Corpus Partdev
AnnotationAhrenberg, Lars

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Showing 101 - 200 of 152 • previous

s-101 she put her hand on his arm.
s-102 While they moved off, she said, Guess what my name is?
s-103 Same as yours, I believe.
s-104 But they call me James.
s-105 I should damn well hope so.
s-106 Well, I've picked someone my own size at last tonight.
s-107 We could just sweep the others off the floor.
s-108 She maintained contact all round her as they danced, talking over his shoulder to this one, putting out a broad calloused brown foot in a gold sandal to nudge that one in the calf.
s-109 Get her to sing, Dando called out proudly.
s-110 not tonight, Dandy-Roly I'm on my best behaviour.
s-111 Would it embarrass Evelyn if Evelyn sang? she asked Bray.
s-112 not in the least.
s-113 What sort of thing?
s-114 Well, what'd you think?
s-115 What do I look as if I'd sing?
s-116 She had the self-confidence of a woman of dynamic ugliness.
s-117 A snort of pleasure:
s-118 Go on!
s-119 I've got a voice like a bullfrog.
s-120 It's terrible when I sing the old chants from home but it's not so bad in English English is such a rough-sounding language anyway.
s-121 Vivien Bayley's urgent face took up conversation in passing,... that's Hjalmar Wentz's daughter... you were sitting with.
s-122 The Oriental-looking little girl with Ras?
s-123 Yes, lovely creature, isn't she?
s-124 Margot would only let her come if I promised to keep her wholesomely occupied.
s-125 You didn't leave her with Ras?
s-126 He moved his shoulders helplessly.
s-127 The dancers were falling back round a Polish agriculturalist who was teaching a gangling Englishman and two young Africans an Eastern European peasant dance.
s-128 The Congolese band had no idea what music would do, and produced a stomping crescendo; then one of the Poles played the piano, and Neil Bayley moved in on the drums.
s-129 The undergraduate form of self-expression that emerges where Englishmen want to give themselves to celebration imposed itself for a while.
s-130 Someone left, and reappeared with another case of champagne.
s-131 The wine was warm, but an early-hours-of-the-morning rain came out like sweat, and coolness blew in on necks and faces.
s-132 Later the Odara woman sang the new national anthem in a beautiful contralto, her big belly trembling under the robe.
s-133 The young bachelors romped and the tousled girls, passing close by, or smiling suddenly at people they weren't aware of, gave up the scent of cosmetics and perfume heated on their bodies.
s-134 Then there was breakfast at the Bayleys'; a thinning of faces, but some had kept reappearing all through the night in the changing light.
s-135 They said good night to each other in the bright slanting sun and the Bayley children were already out on the grass in their pyjamas, riding bicycles.
s-136 In a few days the faces had lost the stylized, apparition-quality of that first night, the night of the Independence Ball, and become, if not familiar, at least expected.
s-137 A young woman was in and out the Bayleys' house, sometimes adding to, sometimes carrying off with her the many children who played there.
s-138 She was Rebecca, Rebecca Edwards, like a big, untidy schoolgirl in her cotton shirt and sandals, the car key on her forefinger jingling harassedly.
s-139 She was always being sent to pick up people when arrangements went wrong;
s-140 she came for Bray one afternoon in an old station wagon littered with sweet-papers, odd socks, and Dinky toys.
s-141 It was she who had given her glass to him that night at the Independence party;
s-142 the Pole who had danced the gazatska became the man with whom he gravitated to a quiet corner so that they could talk about the curious grammar-structure of Gala and the Lambala group of languages.
s-143 The atmosphere at the parties was what he thought it must have been at gatherings described in nineteenth-century Russian novels.
s-144 Children swept in and out, belligerently pleasure-seeking.
s-145 Babies slept in dark rooms.
s-146 Food was cooked by many hands.
s-147 Invitations were measured only by how long the beer and wine lasted out.
s-148 He felt himself the middle-aged relative, a man of vague repute come from afar to the wedding and drawn helplessly and not unenjoyably into everything.
s-149 It was, in a curious way, an extension of what he was at the official receptions where many people had little idea who the white stranger was, sitting in a modest place of honour;
s-150 and once, at a press dinner Mweta's reference to the presence of one of the fairy godmothers' who had been present at the christening and had returned for the coming-of-age of the State went, thank God, unnoticed as a reference to himself.
s-151 It became his Independence story; as the story of the cigarette company's helicopter was Neil Bayley's, related again and again while the private drama between husband and wife that had made it pass unremarked at the time was quite dropped out of the context.
s-152 Bray asked everywhere about Edward Shinza; certainly he was not in evidence at any official occasion.

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